Music Theoryafter A. Danhauser
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III.4Part III, Tonality

Linking Scales: The Order of Sharps

In this lesson, you'll build all the major scales with sharps, one after another, and work out the order of sharps.

8 min8 questionsDanhauser § 114 to 118

Let's look for a new key. We'll take the upper tetrachord of the C scale, G-A-B-C, and turn it into the lower tetrachord of another scale.

To complete this scale, add the four degrees that follow: D-E-F-G.

Sheet Music= 96lower tetrachordnew tetrachord
With F natural, the new tetrachord is irregular.

This new tetrachord won't do: instead of “whole, whole, half,” it gives “whole, half, whole.” The F is too close to E, a half step instead of a whole step, and too far from G, a whole step instead of a half step. So it has to be raised a half step with a sharp.

Sheet Music= 96GG major scaleABCDEF#G
The G major scale.

So to form a new scale, we needed a new note: here it's F#, the leading tone of the new scale. G, which was the dominant of C, becomes the tonic, and this is the G scale. D, the 5th degree, is the dominant. The tonal notes are G on the 1st degree, C on the 4th and D on the 5th.

How the scales link up

ScaleSharpsNew sharp (leading tone)
C major0
G major1F#
D major2C#
A major3G#
E major4D#
B major5A#
F# major6E#
C# major7B#
Sheet Music= 132D majorA majorE major
Three links in the chain. The upper tetrachord of each scale is the lower tetrachord of the next.

Look at the table and you'll notice three things:

  1. Each scale shares its lower tetrachord with the scale before it, which has one sharp fewer, and its upper tetrachord with the scale after it, which has one sharp more.
  2. The sharp keys follow one another a fifth higher each time.
  3. Each new sharp also appears a fifth above the previous one.

The order of sharps

1F2C3G4D5A6E7B
The order of sharps: F, C, G, D, A, E, B.
WorkshopInteractive Circle of FifthsFull screen
Walk around the sharp side of the circle of fifths: each step adds a sharp.
CAmGEmDBmAF♯mEC♯mB= C♭G♯mF♯= G♭D♯mD♭= C♯B♭mA♭FmE♭CmB♭GmFDmmajor / minor

Clockwise: add a sharp (up a fifth). Counterclockwise: add a flat (down a fifth). At the bottom, enharmonic keys join the two branches.

C major / A minor
Key signature
no sharps or flats
Relative
A minor, a minor third below; leading tone G♯ added as an accidental
Closely related keys
A minor, F major, G major, D minor, E minor
Landmark
the model scale, no accidentals
Exercisein the method's spirit

Write out, one after another and in order, all the scales that contain sharps. For each one, give the tonic, the leading tone, and the number and names of the sharps.

Now that you know the order of sharps, the next lesson shows you how they are written at the start of the staff, in the key signature.

Check your understanding

8 questions
1.
What new note appears in the G major scale?
2.
What is the order of sharps?
3.
How many sharps are in the A major scale?
4.
Which major scale has 6 sharps?
5.
The sharp keys follow one another:
6.
The new note of a sharp scale is always its:
7.
The upper tetrachord of D major becomes the lower tetrachord of:
8.
What is the leading tone of B major?

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