Modulation
By the end of this lesson, you'll recognize a modulation and the note that brings it about, and you'll know how it is written.
Modulation is a change of key, and also the transition by which that change takes place. Danhauser only outlines this chapter, because the details belong to the study of harmony.
What brings about a modulation
A modulation is brought about by altering one or more notes of the current key. These alterations are foreign to the key you are leaving, and they belong to the key you are heading for. Most often, the note that triggers the modulation is the leading tone, or leading note in British English, or else the subdominant of the new key. Listen to two examples.
How it is written
- If the new key is only passing, you write its accidentals directly in front of the notes they affect.
- If the new key is to last a while, you replace the key signature with that of the new key, after a double bar line.
When the key signature changes, you must cancel with naturals any sharps or flats that belonged to the old key signature but are not part of the new one.
Clockwise: add a sharp (up a fifth). Counterclockwise: add a flat (down a fifth). At the bottom, enharmonic keys join the two branches.
- Key signature
- no sharps or flats
- Relative
- A minor, a minor third below; leading tone G♯ added as an accidental
- Closely related keys
- A minor, F major, G major, D minor, E minor
- Landmark
- the model scale, no accidentals
Analyze the key scheme of this fragment: identify the modulation, the exact point where it happens, and the note that brings it about.
Modulation changes the key inside a piece. In the next lesson, you'll move a whole piece into a new key: that is transposition.